Title
Museums in the New Gilded Age: Collector exhibits in New York art museums, 1945-2010
Date Issued
01 January 2014
Access level
metadata only access
Resource Type
journal article
Author(s)
University at Albany
Publisher(s)
Elsevier
Abstract
How have museums in the United States been affected by the concentration of wealth and the decline in Federal support for the arts in recent decades? We address that question by tracking special exhibits at the Metropolitan Museum of Art, the Museum of Modern Art, and the Guggenheim and Whitney Museums in New York from 1945 to 2010. We find that the fraction of special exhibits devoted to and organized around patron collections declined in the 1960s and 1970s. Despite the subsequent decline in government funding and growing concentration of wealth, patron exhibits did not increase in recent decades. The autonomy that professionalized museum curators achieved in the 1960s and 1970s to determine the themes and content of exhibitions has been sustained, even as organizational norms were transformed in most other realms. © 2014 Elsevier B.V.
Start page
60
End page
69
Volume
43
Issue
1
Language
English
OCDE Knowledge area
Otras humanidades
Arte
Subjects
Scopus EID
2-s2.0-84899643728
Source
Poetics
ISSN of the container
0304422X
Sponsor(s)
At the same time, universities created or expanded their art history departments and “developed programs to train potential museum workers in connoisseurship and art history” ( DiMaggio, 1991a , p. 273). Graduates from these programs were employed by museums and banded together to form the American Association of Museums, which received substantial funding from the Carnegie Corporation to foster professional standards for museum curators and exhibits.
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