Title
A Value-Chain Model for Research in Heritage Conservation: The Research Center for Heritage Conservation in Lima, Peru
Date Issued
01 January 2022
Access level
open access
Resource Type
journal article
Author(s)
Publisher(s)
Taylor and Francis Ltd.
Abstract
Even though funding for culture and heritage-related projects is normally scarce, it is even more difficult to find in times of crisis. One option to fund heritage protection is the acquisition of research and development funds, which usually require tangible achievements or an explicit link to socio-economic development. The Research Center for Heritage Conservation in Lima, Peru, adopted the value-chain model from the business management sector to evaluate and determine the convenience of embarking on a conservation project. This value-chain for heritage follows three stages: Identification and evaluation, conservation, and dissemination of results, to pave the way for the development of sustainable practices in collections management. Having limited human resources and infrastructure, projects had to comply with four criteria: a well-documented problem, a clear hypothesis or objective, a realistic methodology and a concrete set of practical and beneficial results. To illustrate these points, we offer an overview of five funded projects in our Center (gilded copper objects, archaeological gourds, colonial paintings, baroque altarpieces, and bespoke environmental sensors). The application of the value-chain model leads to tangible results which facilitate the initiation of a self-sustaining cycle for conservation research.
Start page
112
End page
121
Volume
67
Issue
S1
Language
English
OCDE Knowledge area
Diseño arquitectónico
Subjects
Scopus EID
2-s2.0-85131451851
Source
Studies in Conservation
ISSN of the container
00393630
Sponsor(s)
Funding text 1
This project has been funded by ProCiencia (contract number 035-2019), as part of the agreement between CONCYTEC-Peru and the World Bank, through the initiative “Mejoramiento y Ampliación de los Servicios del Sistema Nacional de Ciencia Tecnología e Innovación Tecnológica 8682-PE.” We thank the valuable collaboration of the Ministry of Culture of Peru through the Pachacamac Museum, the Museum of the Archbishopric of Lima, the Andean Baroque Route, University of Delaware and State University of New York at Buffalo. We acknowledge the decisive contribution of the researchers of the Center in the development of the projects discussed: Ismat Shah and Carsten Benndorf for materials characterisation; Rosanna Kuon, María Inés Velarde, Andrés de Leo, Diana Castillo and Lucila Iglesias for their art history and conservation expertise; Jimmy Tarrillo and Micaela Benavides for building the monitoring chambers; Diana Parada for developing tarwi solutions and Eliana Quispitupac for entomological analyses. The support of research assistants Jimena Tello, Piero Cuayla and Danae Chipoco is greatly appreciated. We thank masters students Adrián Hinostroza, Marilyn Palomino, Paul Pacheco, Eduardo Tejada, Allen Llapa and Nóriko Nishimura for writing their theses in relation to the project investigations. Karinna Visurraga is acknowledged for administrative support.
Sources of information:
Directorio de Producción Científica
Scopus